Midosa писал(а): Сб фев 10, 2024 00:12
24-70 стоит от 45 и выше. А 24-120 от 85. Т.е. даже не в 2 раза. При этом 24-70 короче больше, чем в 2 раза, и с нерабочей
f4 в сравнении с 24-120. Ну и в чём профит? Не вижу профита. Насколько хуже - настолько и дешевле. Точнее - он хуже больше, чем дешевле.
Странно, я на него снимала на открытой и нахожу результат рабочим
https://www.flickr.com/photos/jan1950nl ... 304205956/
https://www.flickr.com/photos/jan1950nl ... 2r-2n1rWK5
Впрочем и у Мансурова он служит штатником в его пейзажной съемке, хотя он может позволить себе любую оптику.
https://photographylife.com/best-lenses-nikon-z7-ii-z9
For my own photography with the Nikon Z7, I’ve been very happy with the 14-30mm f/4 and 24-70mm f/4. I mainly shoot landscapes where I’m stopped down to f/8, f/11, or f/16, at which point the effects of diffraction mean even Nikon’s best lenses don’t have as much of a sharpness advantage. Given their lightweight design while still being quite sharp, both the 14-30mm and 24-70mm f/4 are good fits for my style of photography.
Если же хотите иметь бескомпромиссные объективы для 45-Мп матрицы (в том числе и на открытой ) , то вот их список:
Highly Recommended: 14-24mm f/2.8 S
Highly Recommended: 24-70mm f/2.8 S
Highly Recommended: 70-200mm f/2.8 S
Highly Recommended: 20mm f/1.8 S
Highly Recommended: 24mm f/1.8 S
Highly Recommended: 35mm f/1.8 S
Highly Recommended: 50mm f/1.2 S
Highly Recommended: 50mm f/1.8 S
Highly Recommended: 58mm f/0.95 S
Highly Recommended: 85mm f/1.8 S
Highly Recommended: MC 105mm f/2.8 VR S Macro
Highly Recommended: 400mm f/2.8 TC VR S
Highly Recommended: 400mm f/4.5 VR S
Highly Recommended: 600mm f/4 TC VR S
Recommended: 14-30mm f/4 S
Recommended: 24-70mm f/4 S
Recommended: 24-120mm f/4 S
Recommended: 28mm f/2.8
Recommended: 40mm f/2
Acceptable: 24-50mm f/4-6.3
Acceptable: 24-200mm f/4-6.3 (at 35mm focal length alone, “recommended”)
Acceptable: 28-75mm f/2.8 (at 28mm focal length alone, “recommended”)
Not Recommended: 16-50mm f/3.5-6.3 DX
Not Recommended: 50-250mm f/4.5-5.6 DX
Not Recommended: 18-140mm f/3.5-6.3 DX VR
20mm f/1.8 S: It’s sharper than the already great F-mount version, especially in the corners. Minimal coma makes it one of the best Milky Way lenses out there. (Some sites have reported moderate coma in their tests, but our sample had almost none – much less than the F-mount version.) See our full review.
24mm f/1.8 S: This lens is actually a bit weaker than the Z 20mm f/1.8 S; it’s comparable to the Nikon Z 24-70mm f/2.8 S’s performance at 24mm. Still – like the 24-70mm f/2.8 S – it’s certainly enough for the Nikon Z7, Nikon Z7 II, and Nikon Z9’s 45 megapixel sensor. It also still beats the F-mount 24mm f/1.8G, itself a brilliant lens. See our full review.
35mm f/1.8 S: Although this lens isn’t unusually sharp at f/1.8 and f/2, it sharpens dramatically by f/2.8, making it the best 35mm prime we’ve ever tested. The Nikon Z 24-70mm f/2.8 S, excellent as it is, matches the 35mm f/1.8 S’s corner performance throughout the aperture range, while falling short of the prime in the center. In any case, from f/2.8 and beyond, the Z 35mm f/1.8 S takes full advantage of the Z7 / Z7 II / Z9 sensor. See our full review.
50mm f/1.8 S: Taking the center and corner into account, the Z 50mm f/1.8 S is the single sharpest lens we’ve ever tested. Yes, it’s a good fit for the Nikon Z7, Z7 II, and Z9. See our full review.
50mm f/1.2 S: We are in the process of gathering Imatest data on this lens, but it’s very similar in sharpness to the 50mm f/1.8 S in the shared aperture range. Purely from an image quality standpoint, it’s an excellent match for the Nikon Z7, Z7 II, and Z9. However, the f/1.8 version is a more practical option for multiple reasons, especially price, weight, and size. Only bother with this one instead if you need f/1.2. (Of course, it doesn’t out-resolve the 45 megapixel sensor at f/1.2.)
58mm f/0.95 S: A highly impractical lens that we have not yet had a chance to test. Based on other sites’ tests, it may even be a bit sharper than the 50mm f/1.8 and f/1.2 lenses in their shared aperture range, so from an optical standpoint, it suits the Z7 -series cameras and the Nikon Z9 perfectly. Doesn’t matter, almost no one will buy it.
85mm f/1.8 S: This lens continues the Nikon Z trend of nearly flawless performance in their f/1.8 primes. Of the set, the 85mm f/1.8 S has the best corner performance of them all, with a high degree of uniformity in the sharpness from center to corner. For landscapes, I consider that even more important than maximum sharpness numbers in the center – though this lens is plenty sharp in the center, too. See our full review.
MC 105mm f/2.8 VR Macro: Nikon’s sharpest macro lens ever – and that’s saying something. Both for close-ups and distant shots, the Z-series 105mm f/2.8 VR doesn’t disappoint.
400mm f/2.8 TC VR S: Perfect optics – one of Nikon’s sharpest lenses ever. That’s not a surprise, but it’s welcome anyway. See our initial review.
400mm f/4.5 VR S: Nearly perfect optics that almost match the 400mm f/2.8 TC VR S in sharpness. This is a surprise considering how much less expensive the 400mm f/4.5 is. It’s a fantastic lens overall; see our initial review.
600mm f/4 TC VR S: Arguably Nikon’s highest-end lens yet, and of course it’s sharp enough for their 45 megapixel sensor.
И из зеркальной оптики:
Sigma 14mm f/1.8 A: Almost as sharp as the Nikon Z 14-24mm f/2.8 S throughout their shared aperture range, the Sigma 14mm f/1.8 A is one seriously good lens. It easily earns my high recommendation for the Nikon Z7, Z7 II, and Z9. (Review)
Nikon 19mm f/4E PC: Barely making this list is the Nikon 19mm f/4E tilt-shift lens. It’s still excellent in sharpness – better than most tilt-shift lenses – but it’s actually about comparable to the Nikon Z 14-30mm f/4 and 24-70mm f/4 by our tests. The reason it crosses the line to “highly recommended” is that the tilt-shift capabilities allow you to stay at the sharpest aperture of f/5.6 for landscape photography, while other lenses might need to be stopped down to apertures like f/11 or f/16 to get enough depth of field, harming sharpness with diffraction. (Review)
Nikon 24mm f/1.8G: Another lens that barely makes the “highly recommended” list is the Nikon 24mm f/1.8G. Unsurprisingly, the Z-series version is sharper than this lens throughout the aperture range in both the center and corners. At the same time, this lens still puts up excellent sharpness numbers, comparable to the Nikon Z 14-24mm f/2.8 S at 24mm (worse in the center but better in the corners). While I think that most photographers starting from scratch should just buy the Z version of this lens, if you already have the 24mm f/1.8G, feel free to keep using it with the Nikon Z7 / Z7 II / Z9. (Review)
Nikon 28mm f/1.4E: One of the all-time sharpest lenses we have ever tested is the Nikon 28mm f/1.4E. Some of the Z lenses manage to beat it slightly in the corners, but in the center, it’s somehow ahead of them all. It holds up on the Nikon Z7 / Z7 II / Z9, and no matter how many pixels Nikon crams into a future camera, it’ll hold up on that, too. (Review)
Sigma 50mm f/1.4 A: Famously one of the sharpest 50mm lenses on the market, the Sigma 50mm f/1.4 has no trouble on Nikon’s 45 megapixel sensor. While the Nikon Z 50mm f/1.8 is a more practical option given its lighter weight, lower price, and somewhat sharper optics, photographers who already have the Sigma 50mm f/1.4 A shouldn’t worry at all about adapting it. It easily counts as highly recommended. (Review)
Zeiss Otus 55mm f/1.4: If you’re familiar with the 55mm Zeiss Otus, you’re probably not surprise that it makes the list; it’s an optical marvel in every way. The same is true of the 28mm, 85mm, and 100mm Zeiss Otus lenses. We have only had a chance to use the 55mm, but all indications are that all four of these lenses are more than a match for the Nikon Z7, Z7 II, and Z9.
Nikon 70-200mm f/2.8E: You might be surprised to see this lens make the list considering what I said earlier about the Z version beating it in every way. And while that’s true, the 70-200mm f/2.8E remains a really great lens that can out-resolve 45 megapixels, just barely. It doesn’t have the same center sharpness as the Z version, but it’s very close in the corners, making for a nice, uniform field of high sharpness. Photographers who already have this lens will not miss out on much if they keep it rather than switching to the Z-mount version. (Review)
Nikon 85mm f/1.8G: Yes, the Z lens is better once again, but the Nikon 85mm f/1.8 manages to barely make this list by the virtue of its very good performance at f/5.6 and f/8 – enough to make the most of Nikon’s 45-megapixel sensors at those apertures. (Review)
Nikon 85mm f/1.4G: Like the 85mm f/1.8G above, the 85mm f/1.4G isn’t as sharp as the native Z lens, especially in the center. However, the 85mm f/1.4G is just as good in the corners as any of Nikon’s Z lenses, so it certainly has enough resolution for the Nikon Z7 / Z7 II / Z9. (Review)
Nikon 105mm f/1.4E: This is a stunningly sharp lens, even wide open at f/1.4. It’s comparable in every way to the Z-series primes, actually beating them in the corners overall. One of Nikon’s best optics ever. (Review)
Nikon’s Exotic Supertelephotos: Every one of these lenses (with the possible exception of the older 200-400mm f/4) is a great match for Nikon’s 45 megapixel sensor. This includes lenses like the 300mm f/2.8, 400mm f/2.8, 500mm f/4, 600mm f/4, and 800mm f/5.6. Anyone who has these lenses can use them on the Nikon Z7, Z7 II, and Z9 without hesitation.
Nikon PF Telephotos (Conditionally): Some of the most popular lenses to adapt to the Nikon Z system are the lightweight 300mm f/4E PF and 500mm f/5.6E PF telephotos. While we did review the Nikon 300mm f/4 PF in the past and found it quite sharp, we have not tested its performance on a modern 45-megapixel sensor. Nor have we yet tested the 500mm f/5.6 PF in the lab, only in the field. Given that both are very sharp lenses, I am conditionally putting them on the “highly recommended” list, but they may be removed pending tests on a 45 megapixel camera.
Для z6/5 список иной, они более терпимы к недостаткам оптики -
https://photographylife.com/best-lenses ... 5-z6-z6-ii
Highly Recommended for the Z5, Z6, and Z6 II (based on sharpness exceeding the 24 MP threshold)
Nikon 14-24mm f/2.8 S (our review)
Nikon 14-30mm f/4 S (our review)
Nikon 24-70mm f/2.8 S (our review)
Nikon 24-70mm f/4 S (our review)
Nikon 24-120mm f/4 S (our review)
Nikon 28mm f/2.8
Nikon 70-200mm f/2.8 S (our review)
Nikon 20mm f/1.8 S (our review)
Nikon 24mm f/1.8 S (our review)
Nikon 35mm f/1.8 S (our review)
Nikon 40mm f/2 (our review)
Nikon 50mm f/1.2 S
Nikon 50mm f/1.8 S (our review)
Nikon 58mm f/0.95 S
Nikon 85mm f/1.8 S (our review)
Nikon MC 105mm f/2.8 S Macro (our review)
Nikon 100-400mm f/4.5-5.6 VR S
Nikon 180-600mm f/5.6-6.3 VR (our field review)
Nikon 400mm f/2.8 TC VR S
Nikon 400mm f/4.5 VR S
Nikon 600mm f/4 TC VR S
Nikon 800mm f/6.3 VR S
Acceptable for the Nikon Z5, Z6, and Z6 II (sharpness does not outresolve 24 MP)
Nikon 24-50mm f/4-6.3 (our review)
Nikon 24-200mm f/4-6.3, though it does out-resolve 24 MP at the 35mm and 50mm focal lengths only (our review)
Nikon 28-75mm f/2.8, though it does out-resolve 24 MP at the 28mm focal length only
